The Klephts were armed Greek brigands who lived in the mountains of Greece during the period of Ottoman rule, from the fifteenth century through the Greek War of Independence in the 1820s, and who occupied a position in Greek folk culture that is simultaneously the most celebrated and the most complicated in the national tradition. They were bandits who preyed on Ottoman officials and on Greek merchants and peasants alike, who lived outside the law and outside the social order, who were as likely to rob a Greek village as a Turkish garrison. They were also, in the tradition that preserved and celebrated them, the last free Greeks: men who had refused to submit to Ottoman rule, who maintained the warrior tradition of the ancient world in the mountains where the Turks could not easily follow, and whose songs and stories kept the Greek identity alive through centuries of occupation.
The Klephtic ballads, the demotic songs celebrating the Klephts’ exploits, are one of the most significant bodies of folk poetry in the Greek tradition, collected and published in the early nineteenth century by scholars who recognised them as evidence of Greek cultural vitality and used them in the argument for Greek national liberation. When Lord Byron came to Greece in 1823 to support the independence movement, the Klephts were part of what he was coming to celebrate.
Who the Klephts Were
The word Klepht derives from the Greek kléptis, thief, which captures the ambivalence of the tradition from the beginning. They were thieves who became heroes, outlaws who became freedom fighters, depending on who was telling the story and when. In Ottoman administrative records they were criminals who needed to be suppressed. In Greek folk memory they were the unconquered remnant of a people that refused to be extinguished.
Their lifestyle was genuinely harsh. They lived in the mountains year-round, in conditions that the Ottoman forces found difficult to follow and to sustain campaigns in. They survived through raiding, through the support of sympathetic Greek communities, and through the networks of allegiance and obligation that the Greek clan system maintained. They fought in small, mobile groups rather than in conventional military formations, using knowledge of the terrain that their pursuers did not have.
The Klephtic Ballads
The Klephtic ballads are the primary source for the legendary dimension of the Klepht tradition. They celebrate specific named Klephts — Athanasios Diakos, Theophilos Katsantonis, Kolokotrones — as supernatural heroes whose courage and skill exceed ordinary human limits. Death in the ballads is not presented as defeat but as the culmination of a heroic life, and the nature of a Klepht’s death, whether in battle, by treachery, or in the mountains alone, is the subject of elaborate poetic treatment.
The ballads present a world in which the mountains themselves are alive and responsive: the mountains mourn when a Klepht dies, the eagles carry his message, the springs and rivers are witnesses to his deeds. This animistic landscape, in which the natural world is full of feeling and full of significance, is one of the oldest elements of Greek folk tradition and gives the Klephtic ballads a quality that connects them to the deepest stratum of Greek folk poetry.
The Klephts and Greek Independence
When the Greek War of Independence began in 1821, the Klepht bands were among the most militarily effective forces available to the revolutionary movement. Their experience of guerrilla warfare in difficult terrain, their established networks of support in Greek communities, and their already legendary status in folk culture made them natural leaders of the resistance. Several of the most significant military commanders of the independence movement came from Klepht backgrounds.
Further Reading
If this article sparked your interest, these are the books worth reading next.
The Iliad — Homer (Penguin Classics)
by Homer — the primary source for everything in this article, and still the most vivid account of the Trojan War ever written.
The Odyssey — Homer (Emily Wilson translation)
by Homer, translated by Emily Wilson — the best modern English translation, and the book that contains Odysseus’s own account of the horse.
The Trojan War: A Very Short Introduction
by Eric Cline — the clearest and most up to date account of what archaeology actually tells us about Troy and whether any of it happened.
For more on the folklore of Greece, the The Mani article covers the region that most fiercely maintained its independence through the Ottoman period and that produced some of the most significant Klepht leaders. The Alexander the Great in Greek Folklore article covers the other great hero tradition of Greek folk culture. The Greece folklore hub page has every article in the cluster.
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